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In fact, Writer Duet can be run from something as cheap and simple as a $200 Chromebook, meaning you could jump in and start churning out professionally formatted screenplays on a brand new laptop for less than the regular cost of Final Draft.
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Built on the concept of working in the cloud and using browser based software (plus a mobile app), Writer Duet gives writers access to their working documents from any device at any time meaning you don’t need to concern yourself with storage or operating systems. Writer Duet has gained remarkable traction over the past seven years and is by far the most common Final Draft alternative I see mentioned within communities. You are probably not surprised to see this listed and that’s significant. I’ve been trying Final Draft alternatives for some time now and I want to bring your attention to three options I feel stand out above the rest for vastly different reasons. That’s what this working screenwriter does and you know what? For that side of things, Final Draft works just fine.
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Many professional screenwriters have a workflow where they compose in one program until they have a draft ready to share with producers and move across to Final Draft for subsequent revisions, scheduling, and production. The smart screenwriter in today’s age is always scanning the horizon looking for the best composing tool available while waiting to pull the trigger on Final Draft when the time’s right. To be frank, if you aren’t at least having a casual look around at the alternatives to the most critical piece of software you’ll use as a writer, you are, as we say in the UK, “ being a bit of a muppet”. I’ve yet to see a single Final Draft advocate come up with a list of objective reasons why it’s better than the competition. They want you to join the cult so the cult grows stronger. Those that argue it’s the best screenwriting software option out there often do so because they simply haven’t tried the modern alternatives and feel a sense of exclusivity in using the same tools as their heroes. So, given that Final Draft itself is designed for composing screenplays and is so commonly used within the industry, why not just roll over and use it by default? Well, beside the hefty $250 price tag for what’s essentially a glorified text editor, it’s arguably a clunky composition tool with an ugly interface that lacks many useful story-writing features.
It’s important we separate composition from collaboration.
#CHANGE PAGE COUNT WRITER DUET HOW TO#
When it comes to collaboration however, you have little choice but to fall in line much like the average office worker needs to know how to use Microsoft Office or a graphic designer needs to be familiar with the Adobe Creative Suite. Therefore, you should use what brings out the best in you as a writer just like a painter finding the right brushes or a musician selecting the right instrument. When it comes to composing a screenplay (i.e just writing), there is no industry standard other than being able to output a correctly formatted pdf. But the industry standard side of Final Draft only really applies to the file format, the revision work-flow, and the various bits of software related to production that plug-in to it. You will find most industry members assume you use it. Final Draft is an industry standard, that’s undeniable. I’m presenting this as alternatives to Final Draft and dismissing the notion that it’s an essential purchase to aspiring screenwriters but I want to establish the context here. However, as artists always looking to improve our craft, we owe it to ourselves to explore the other options out there.
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Yes, we all know the rehearsed phrase by now, “Final Draft is the industry standard!”, an axiom it seems many screenwriters feel obliged to screech at anyone who dares ask what the best piece of software is to turn our day-dreaming into a full fleshed out, Hollywood ready, screenplay.
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